Exploring the potential of virtual reality technology to investigate the health and well being benefits of group singing.
Identifieur interne : 000058 ( Main/Exploration ); précédent : 000057; suivant : 000059Exploring the potential of virtual reality technology to investigate the health and well being benefits of group singing.
Auteurs : H. Daffern [Royaume-Uni] ; D A Camlin [Royaume-Uni] ; H. Egermann [Royaume-Uni] ; A J Gully [Royaume-Uni] ; G. Kearney [Royaume-Uni] ; C. Neale [Royaume-Uni] ; J. Rees-Jones [Royaume-Uni]Source :
- International journal of performance arts and digital media [ 2040-0934 ] ; 2019.
Abstract
There is a growing body of academic research aiming to quantify and understand the associated health and well being benefits of group singing. The social interaction is known to strongly contribute to perceived improvements to mental and physical health but there are also indications that singing together elicits better well being outcomes than other community activities. This paper introduces the Vocal Interaction in an Immersive Virtual Acoustic (VIIVA) system, which allows the user to take part in a group singing activity in 360 degree virtual reality, hearing themselves in the recorded venue alongside the other singers. The VIIVA is intended to make group singing accessible to those unable to attend real community choirs but also as a tool for experimental research into the health and well being benefits of group singing. This paper describes the VIIVA system and presents a number of methodologies and applications which are discussed in relation to three ongoing research projects. Preliminary work indicates that the VIIVA system provides a promising tool with which to study the health and well being benefits of group singing, and in particular to control for the social interactions inherent in real group singing activities.
DOI: 10.1080/14794713.2018.1558807
PubMed: 30918619
PubMed Central: PMC6417460
Affiliations:
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Rees-Jones</name><affiliation wicri:level="1"><nlm:affiliation>Audio Lab, Department of Electronic Engineering, University of York, York, UK.</nlm:affiliation><country xml:lang="fr">Royaume-Uni</country><wicri:regionArea>Audio Lab, Department of Electronic Engineering, University of York, York</wicri:regionArea><wicri:noRegion>York</wicri:noRegion></affiliation></author></analytic><series><title level="j">International journal of performance arts and digital media</title><idno type="eISSN">2040-0934</idno><imprint><date when="2019" type="published">2019</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">There is a growing body of academic research aiming to quantify and understand the associated health and well being benefits of group singing. The social interaction is known to strongly contribute to perceived improvements to mental and physical health but there are also indications that singing together elicits better well being outcomes than other community activities. This paper introduces the Vocal Interaction in an Immersive Virtual Acoustic (VIIVA) system, which allows the user to take part in a group singing activity in 360 degree virtual reality, hearing themselves in the recorded venue alongside the other singers. The VIIVA is intended to make group singing accessible to those unable to attend real community choirs but also as a tool for experimental research into the health and well being benefits of group singing. This paper describes the VIIVA system and presents a number of methodologies and applications which are discussed in relation to three ongoing research projects. Preliminary work indicates that the VIIVA system provides a promising tool with which to study the health and well being benefits of group singing, and in particular to control for the social interactions inherent in real group singing activities.</div></front></TEI><pubmed><MedlineCitation Status="PubMed-not-MEDLINE" Owner="NLM"><PMID Version="1">30918619</PMID><DateRevised><Year>2020</Year><Month>10</Month><Day>01</Day></DateRevised><Article PubModel="Electronic-eCollection"><Journal><ISSN IssnType="Electronic">2040-0934</ISSN><JournalIssue CitedMedium="Internet"><Volume>15</Volume><Issue>1</Issue><PubDate><Year>2019</Year></PubDate></JournalIssue><Title>International journal of performance arts and digital media</Title></Journal><ArticleTitle>Exploring the potential of virtual reality technology to investigate the health and well being benefits of group singing.</ArticleTitle><Pagination><MedlinePgn>1-22</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.1080/14794713.2018.1558807</ELocationID><Abstract><AbstractText>There is a growing body of academic research aiming to quantify and understand the associated health and well being benefits of group singing. The social interaction is known to strongly contribute to perceived improvements to mental and physical health but there are also indications that singing together elicits better well being outcomes than other community activities. This paper introduces the Vocal Interaction in an Immersive Virtual Acoustic (VIIVA) system, which allows the user to take part in a group singing activity in 360 degree virtual reality, hearing themselves in the recorded venue alongside the other singers. The VIIVA is intended to make group singing accessible to those unable to attend real community choirs but also as a tool for experimental research into the health and well being benefits of group singing. This paper describes the VIIVA system and presents a number of methodologies and applications which are discussed in relation to three ongoing research projects. Preliminary work indicates that the VIIVA system provides a promising tool with which to study the health and well being benefits of group singing, and in particular to control for the social interactions inherent in real group singing activities.</AbstractText></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Daffern</LastName><ForeName>H</ForeName><Initials>H</Initials><Identifier Source="ORCID">0000-0001-5838-0120</Identifier><AffiliationInfo><Affiliation>Audio Lab, Department of Electronic Engineering, University of York, York, UK.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Camlin</LastName><ForeName>D A</ForeName><Initials>DA</Initials><Identifier Source="ORCID">0000-0003-4276-7181</Identifier><AffiliationInfo><Affiliation>Royal College of Music, London, UK.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Egermann</LastName><ForeName>H</ForeName><Initials>H</Initials><Identifier Source="ORCID">0000-0002-8600-121X</Identifier><AffiliationInfo><Affiliation>York Music Psychology Group, University of York, York, UK.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Gully</LastName><ForeName>A J</ForeName><Initials>AJ</Initials><Identifier Source="ORCID">0000-0001-7014-7989</Identifier><AffiliationInfo><Affiliation>Audio Lab, Department of Electronic Engineering, University of York, York, UK.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Kearney</LastName><ForeName>G</ForeName><Initials>G</Initials><Identifier Source="ORCID">0000-0002-0692-236X</Identifier><AffiliationInfo><Affiliation>Audio Lab, Department of Electronic Engineering, University of York, York, UK.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Neale</LastName><ForeName>C</ForeName><Initials>C</Initials><Identifier Source="ORCID">0000-0003-0478-3500</Identifier><AffiliationInfo><Affiliation>Stockholm Environment Institute, Environment Department, University of York, York, UK.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Rees-Jones</LastName><ForeName>J</ForeName><Initials>J</Initials><Identifier Source="ORCID">0000-0002-6746-2440</Identifier><AffiliationInfo><Affiliation>Audio Lab, Department of Electronic Engineering, University of York, York, UK.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType></PublicationTypeList><ArticleDate DateType="Electronic"><Year>2018</Year><Month>12</Month><Day>27</Day></ArticleDate></Article><MedlineJournalInfo><Country>England</Country><MedlineTA>Int J Perform Arts Digit Media</MedlineTA><NlmUniqueID>101717485</NlmUniqueID><ISSNLinking>1479-4713</ISSNLinking></MedlineJournalInfo><KeywordList Owner="NOTNLM"><Keyword MajorTopicYN="N">Virtual reality</Keyword><Keyword MajorTopicYN="N">choir singing</Keyword><Keyword MajorTopicYN="N">performance</Keyword><Keyword MajorTopicYN="N">singing</Keyword><Keyword MajorTopicYN="N">virtual acoustics</Keyword><Keyword MajorTopicYN="N">well being</Keyword></KeywordList></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="entrez"><Year>2019</Year><Month>3</Month><Day>29</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2019</Year><Month>3</Month><Day>29</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2019</Year><Month>3</Month><Day>29</Day><Hour>6</Hour><Minute>1</Minute></PubMedPubDate></History><PublicationStatus>epublish</PublicationStatus><ArticleIdList><ArticleId IdType="pubmed">30918619</ArticleId><ArticleId IdType="doi">10.1080/14794713.2018.1558807</ArticleId><ArticleId IdType="pii">1558807</ArticleId><ArticleId IdType="pmc">PMC6417460</ArticleId></ArticleIdList><pmc-dir>pmcsd</pmc-dir>
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